Discussion in 'Medium Format' started by jacobmiles, Jan 6, 2006. jacobmiles. D7100 downscaled to D750 head size with evened out white balance and exposure in Lightroom 5.7. There are better made medium format cameras, which are much easier to use, but they are much bulkier than an old folder. And this is where dynamic range is factored in; it’s a bit of a misnomer that medium format cameras have an objectively wider dynamic range than smaller format cameras. Occasionally I find myself asking if I should jump from 8x10 to medium format fo r the easier portability, quicker setup, cheaper film, and a slew of other appar ent advantages. The entire electronic platform of the H6D has been redesigned with a fast, new generation processor to handle the advanced features of the camera. The GFX 50R is both 2.5cm thinner than the GFX 50S, and at 775g, 145g lighter than it's medium format sibling. Ibarionex Perello, host of the Candid Frame podcast “Just thought I’d take this opportunity to say that I think the magazine if fantastic. They also offer incredible image quality in terms of color, dynamic range, and tonality. More than detail and higher counts of pixels, medium format sensors are also physically larger, measuring anywhere from ~44 x 33mm up to ~53 x 40mm, compared to the ~36 x 24mm of full-frame or ~23.5 x 15.6mm of APS-C. What this means, in practicality, is that the actual sizes of the photosites or pixels on medium format sensors are also larger, and this contributes to a number of beneficial factors for how an image looks. Three-Point Portraiture Lighting and Beyond, What to Do With Your Old Camera? Medium format cameras were used by professionals for decades to cover a range of different photographic practices. As medium format negatives (and sensors) are bigger, the images require less enlargement, which will give you greater tonality and sharper images. Olaf is founder and editor-in-chief of the Medium Format Magazine – #1 publication dedicated to film and digital medium and large format photography. The depth of field advantages of the larger sensor size, too, along with the ability to work with longer focal lengths while retaining a wider field of view, also play into why medium format can produce such flattering results in portraiture. Compared to 35mm, medium format uses 3~4 times as much film surface. That is why medium format lenses are more expensive, and significantly larger and heavier than their 50mm f/2 counterparts; medium format lenses need to gather heaps more light, and then focus that light on an area 50% larger than what a 50mm f/2 lens would capture. Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. 120 film is a type of medium format film that was originally introduced in the early 20th century by Kodak. 2. compare results on screen - good for pixel peepers 3. compare prints and projected pictures - actually gives useful information for the photographer Focus is fractionally off on the D850, which isn’t hard to do when … Subsequently, with a 35mm sensor having a multiplier of 1, a medium format has a 0.5 multiplier, and an APS-C (crop factor) sensor has multipliers of 1.6 and 1.5 for Canon and Nikon, … If I understand things correctly, that's not a function of sensor size, but MPs. Compared to 35mm, medium format uses 3~4 times as much film surface. The photosite size and sensor dimension advantages are all respective of a digital workflow, obviously, but the same descriptors can be used to talk about medium format film. What are your thoughts about a “medium format look"? Still a little low in contrast compared to them, so the next one was souped for 14 minutes. You can read a whole lot more about the ins and outs of this by clicking here. Sony RX100ii produces highest image quality for 1inch sensor cameras. Color and Tonality. To me it is all about the subtleties in gradients, the tonality, and the information in the files at each end of the spectrum. Sony A7s/A7sii (11+7bit) cameras are said to have this high tonal “medium format” clean look thanks to higher pixel pitch. Medium Format Cameras (MFCs) are cameras that produce frames, which are larger than 35mm but smaller than large format cameras that produce frames starting from 5x4”. Thanks. Photography students who shot with 35mm, 67 medium format or large format still prefer shooting film over digital today. Occasionally I find myself asking if I should jump from 8x10 to medium format fo r the easier portability, quicker setup, cheaper film, and a slew of other appar ent advantages. We, your audience, have no idea what kind of equipment the images were shot on because it's not detailed at all. Addendum: Comparing 24mp FX sensor (5.9 microns) vs. 24mp DX sensor (3.9 microns) for depth and tonality. And what are your favorite examples of this aesthetic? The size of the photosite defines its native signal gain. Hasselblad H4D-60... when you actually nail it. All forums Medium Format Talk Change forum. D7000 raw files are much more flat than the D300s. The two clearest signifiers of a medium format look are sharpness and resolution, mainly because they are the two factors that tend to be objectively different, compared to smaller format cameras. He spends most of his time writing and photographing in the field, usually exploring the side streets in big cities and less-travelled roads. Work RAW files available here. This allows for better tonality (smoother gradations), finer detail, and less apparent grain. Medium-format cameras come in a wide variety of types, including TLRs, SLRs, solid-bodied press cameras, and scale focusing and rangefinder folding cameras in formats ranging from 6 x 4.5cm to 6 x 9cm… This is one of those indescribable points of contention when talking about a medium format look, but the smoothness and natural look of a gradient from extreme tones can be a key tell for the larger sensor size. The new medium format lenses are pretty pricey, even if the bodies have dropped in price quite a bit. Fuji X (14bit) cameras display quite pleasing "filmic yet muted" color science. This allows for better tonality (smoother gradations), finer detail, and less apparent grain. Lou_Meluso, Aug 14, 2012 #1. yee_meen_chai. Canon 6D has “over the top” color saturation. When I was shooting with the X-series cameras, mostly the X100-line, I really enjoyed the high-contrast imagery with the deep blacks, which played an important role in my photography. The larger frame size of medium format film provides images with strikingly better tonality and with finer grain upon enlargement when compared to 35mm film or smaller digital sensors. The Hasselblad X1D II 50C takes that award-winning design even further, using new technology to give photographers a professional, portable workflow. Do you think it’s possible to get the same look and feel from smaller format sensors? The Samsung Galaxy S7 drops down to 12mp from 16mp for higher gain. This is due to the fact that the light-sensitive silver halide crystals, which are actually the … Medium format prints (or scans) compared to the same sized prints from 35mm negatives have quite a different feel and look, it's not just resolution it's very significantly less grain which helps with tonality … A lens is as good as the output of its camera: it can display micro-contrast and depth rendition as much as its camera lets it do. The sheer breadth of tonality that can be captured with the H6D-100c has to be seen to be believed.The already compelling case for medium format capture has just become substantially more attractive. Over time, this type of shooting and then post-processing has become my trademark. But if you define the medium format look as the shallow-DOF / wide-FOV combo this lens will give you that look. There are different types of medium format … There is some talk about the bigger sensors having better tonality and transitions from light to dark and color transitions. Even 6x4.5, the smallest medium format size, showed … In part 1 I noted that my HP5+ negatives were rather thin. "Medium Format Magazine provides a quality showcase for exceptionally and inspiring photography. 28th Hasselblad announce a lens and mention three more Practice and experiment and you'll find the tonality of a medium format neg can be quite well represented with digital printing. The usual suspects What I want to do with this guide is give you an idea of what you can get and a rough idea of how much you should expect to pay. More than just color accuracy, this also translates to tonality and contrast, and explains the smoother rendering and gradient from a highlight area to a shadowy area. Both of these genres lend themselves to medium format mainly because they are slow-moving and predictable subjects that you have time to photograph. So actually the GFX’s larger medium format sensor is capable of a more pronounced shallow depth-of-field effect, as we were able to achieve the same background blur at f/2, compared to f/1.4 on the D850. giving 35mm digital a film look might get you close to 35mm film but you would need a ‘full frame’ digital back (54×40) and good processing to get close to the ‘look’ of 6×4,5 film. Especially compared to some of the new full-frame flagships coming out, medium format cameras may have a smaller overall range when measured in stops. Also, it has better tonality (smoother gradations). But they are separately concepts. Ricoh GR keeps using 16mp APS-C sensor for two generations, but the Coolpix A and the upcoming Fuji X70 have better colors due to 14bit recording. The new medium format lenses are pretty pricey, even if the bodies have dropped in price quite a bit. Used for portraits in … Fuji GFX and X1D) 150MP 55x41mm Medium format Back Illuminated sensor to be announced in 2018 (e.g. Beautiful images from an amazing medium format camera. Now, … Although digital sensors are also a game of balance between the native gain of the photosites and the efficiency of the image processors, the better tonal rendition of a low photosite density high gain sensor saves post-processing time and exploits the qualities of lenses much more than a high-resolution sensor of low gain. Supporting FUJIFILM’s renowned Film Simulation modes, the camera allows you to opt for the tonality of photographic films such as Velvia, PROVIA and ACROS, used for many years in medium format film cameras by professional and enthusiast photographers alike. Film grain density is lower than a digital sensor. The D3s still sold used at premium prices. Beyond just these numbers, the cameras can, again, make use of the larger photosite sizes to record more information and make use of this higher bit depth to achieve more exacting colors and, subsequently, smoother transitions from color to color. The iPhone camera remains, even today, the cellphone camera with most life-like rendition because of its higher pixel pitch. Sony Xperia Z smartphone cameras with 20.3mp fail every year to match the iPhone Camera due to the higher density of the sensor. 10-05-2020, 03:16 AM ... (tonality, contrast, color, etc). I've never been able to quanitify the difference between a 35mm image and a 6x6 image when printed the same size, but my qualitative impression is that the tonality … Intuitive handling and a rugged camera body that caters for the needs of all photographers. Also, despite its name, it’s not an effect relegated solely to medium format cameras, although some of the reasons this effect exists are due to some of the technical differences between medium format and smaller format cameras. The already compelling case for medium format capture has just become substantially more attractive. There was something alive, soulful, genuine and true about it. That said, the practical difference in the color rendition from a 14-bit and that from a 16-bit might be minimal in a traditional photographic workflow. In technical terms, larger film surface allows for the light sensitive halide crystals to be distributed less closely, resulting in lesser grain. In … D750 regarded as a fullframe low-light god at its release. 1. count lines - should give us the absolute peak resolution of the film files. The sheer breadth of tonality that can be captured with the H6D-100c has to be seen to be believed.The already compelling case for medium format capture has just become substantially more attractive. Another aspect of the film era that made a significant difference between the formats was enlargement—maybe more so than digital, the difference in clarity from an enlarged 6 x 7 negative compared to a 35mm negative is quite noticeable in terms of resolution, acuity, clarity, and smoothness. But they are separately concepts. While we have talked at length about the renditional qualities of a lens, we have yet to have a conversation about the output of digital cameras. Historically, though, medium format has been used for portraiture and landscape applications with great success. 11 technical advantages of Digital Medium Format vs DSLR #1. What kinds of photography does it benefit most? Same lens, F8. Those that shoot shoot medium format appreciate the medium format “look.” That said, most people if they casually looked at photos from both medium format and the Sigma cameras, … For the cost of a digital medium format camera, you can buy lots of film and pay for development plus digitizing after an initial capital between $500 to $2000 for a film medium-format camera with lens. While separated here for discussion, it’s worth mentioning that color and tonality are also consequences of the larger pixel sizes afforded by the larger sensor size but are maybe the most perceivable benefits of the sensor’s design. We’ll be limiting ourselves to the digital domain which means scanning but we’ll use a microscope to see how much detail there is actually on the film itself for those who might want to use the analog darkroom. Here are the possible ways to compare. So, which sensor size is the right for you? Yes, medium format technical image quality is very good with lots of detail and sharpness. People find the results more life-like and genuine. A lot of people enjoyed shooting film. We can get close with separation, tonality, colour depth and light. From a roll of 120 film you usually get 12 square shaped photos (though the aspect ratio might differ depending on the camera or frame insert used). Early on in my photography career I was impressed by the image quality of images hanging in galleries taken with larger format cameras, especially film portraits by Annie Liebovitz and Mark Seliger. Technically speaking, medium format film gives you clearer, crisper images with more tonality. Color rendition is excellent as well, and using Capture One really does make for technically sound … Its strength is defined by shutter speed and aperture. In terms of landscape, resolution, color, and tonality are the stars of the show subject-wise and are also the highlight capabilities of the sensor format. Many Nikon users change their workflow every time they buy a new Nikon camera due to the shifts in photosite density and processors. Well, that’s obviously subjective and ultimately up to you. To understand digital exposure and what improves the output of it, we must first look at the imaging system through the approach of the radio analogy. Armed with all of this information, how do we make use of a medium format look? I also believe it is much better to start medium format with film to get a feel of different DoF and effects gained here over 35 mm format. This all changed when I started shooting medium format… Medium format is defined as any camera format that records an image larger than 35mm but smaller than 4x5 inches, which is considered large format. Why You Need To Try It. Just as a higher resolution in pixels is expected with medium format, so is a greater bit depth. From wedding and portraits to reportage and fine art; there is not one distinctive look to the format, rather a multitude of possibilities. The more portable X System easily enables bringing medium format photography outside of the studio with options that include the world’s first compact mirrorless digital medium format camera – the X1D-50c – followed by the second generation X1D II 50C. Plus my 67 lens arsenal all … Is there any reason medium format tonality would be better than … The GFX file is noticeably sharper on the eyes, with clearly defined individual eyelashes that are razor sharp. So, these kinds of cameras use a 120 format film. I believe it is important to grasp a better understanding of digital exposure and acquire/demand a better camera for photography instead of a camera for bragging rights. The transition to digital shocked many. Tonality and resolution are connected, like the pages of a book (like most other things in this realm). Pros go medium format for a reason: in addition to resolution, the extra light capture just yields better images. Work files here. Even without the pixels, the large film area of these larger cameras contributes significantly to a distinctive look, especially when compared to 35mm. I've never been able to quanitify the difference between a 35mm image and a 6x6 image when printed the same size, but my qualitative impression is that the tonality is better. The HTC One attempted to push this theory in its Ultrapixel camera but had inferior A/D Converter and SNR firmware. Its strength is ... Sony A7s/A7sii (11+7bit) cameras are said to have this high tonal “medium format” clean look thanks to higher pixel pitch. However I hope this has shown that with the right scans medium format film can compete quite well with digital and even 35mm film can produce decent size prints (enough for book publishing definitely - see Alan Hinkes “8000m”, nearly all shot on a relatively cheap 35mm film camera (Book currently available from Amazon). In 16-bit medium format files, this equates to 281 trillion color shades, which translates to smoother tonal gradations and less color banding in processed image files than 14-bit or lower cameras. Just as important as a higher resolution, larger pixels afford better efficiency with light gathering, a better signal-to-noise ratio, and they contribute to improved color and tonal rendering, as well as greater edge definition, dynamic range, and they limit the effects of diffraction. Here Are Six Ideas, Introduction to Lens Mounts and Lens Adapters. The entire electronic platform of the H6D has been redesigned with a fast, new generation processor to handle the advanced features of the camera. However, the smoothness in transition from tone to tone (or stop to stop, or zone to zone, if you want) is what separates medium format cameras (no pun intended) from their smaller counterparts. Assuming you’re viewing an image at an appropriately large scale, the higher resolution of medium format cameras is quite visible just due to the sheer amount of detail and information recorded. The excellent curation and design results in a publication that is a pleasure and worth of repeated reading and viewing." Is this my imagination? The biggest and obvious difference in 35mm and 120 Medium Format (Can be referred to as “Medium format” or just “120”… Whereas smaller format cameras tend to be 12-bit, maybe 14-bit, medium format cameras will usually begin at 14-bit, and some have higher 16-bit capabilities. Purpose of the Guide. Nikon D750 (5.9 microns) - 2014 - borderline - 14 bit, Nikon D3/D3s/D700 (8.5 microns) - 2008 - 14bit, Nikon D300/D300s (5.5 microns) - 2008 - 14 bit, Nikon D200/D80/D40x/D60/D3000 (6.1 microns) - 2006 - 12 bit, Nikon D40/D50/D70/D70s (7.8 microns) - 2005 - 12 bit. While the preset industry flourished as a promise to remove the “fake” from a digital exposure at various success, the increasing flatness of modern digital photography amplifies the idea of an underexposed pushed film look that attempts at creating contrast an sea of gray RAW files. Ultrapixel camera but had inferior A/D Converter and SNR firmware camera remains, even today, the cellphone camera most! Use, but MPs format Magazine provides a quality showcase for exceptionally and inspiring photography words,... With tonality, along with how they affect dynamic range 7D images flatter!, especially with tonality, colour depth and tonality, life-like and depth separation tonality! 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X1D II 50C takes that award-winning design even further, using new to... Density is lower than a digital sensor dedicated to film and digital format...

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